GIVING PEOPLE CONFIDENCE

I was running a conference recently, where I asked people to work in small groups, and then present back to the whole group. No doubt you have used this methodology. I knew there was a danger that the managers involved in the groups would be the ones who presented their group findings, and I wanted to avoid that. Yet I didn’t want to put anyone on the spot.

So I told a story about seeing Richard Branson give a talk. It was at the end of a long day, where everyone had given slick presentations, and we were all a bit mind-boggled.

He came on, and was clearly nervous. His speech was hesitant and his stammer showed through. Yet he held us spellbound. The reason? His talk was heartfelt, rather than clever, and he obviously cared about his subject deeply.

I then suggested to the groups that the person who fed back to the whole group was someone who cared deeply about what they had come up with, and that it didn’t matter how long or slick the presentation was, it only mattered that it was heartfelt.

Although I had set it up, I was astounded by the level of presentation that we had. People who had never spoken in public before were daring to speak, and the genuine involvement just shone through. We actually went past lunch time without realising it, because they were so good!

We often try to encourage people to risk stretching themselves, and there are many ways of ding it. The use of a story is just one of them. But I thought it was worth sharing, to prompt you to think about how you can encourage people, and give them the confidence to go beyond their assumed limitations.

Homework

  1. What stories could you tell to encourage people to have a go when they might otherwise not dare?
  2. How else can you give people confidence, so they feel safe in having a go?

 

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THE IDENTITY OF AN ORGANISATION

Without consciously knowing what we were doing, we started Meta as a company by really establishing and building its identity. We clarified for ourselves what we were in the business for, and quickly realised that we were not a training or consultancy company – that was not enough.

What we are about is enabling others to re-discover and use their excellence, in simple and straightforward ways that fit with the need to also get on with what we have to do. We just happen to be focused on doing this through the vehicle of our particular field, which is training and consultancy type activities.

I have become more and more fascinated by the power of a clear identity, and the distinction between identity and the way in which you express it. Most companies define themselves by what they do. Yet this is the vehicle for their identity, not what they are really about. And it is not what inspires people and brings out the best in them. We all respond to organisations that have a coherence about what they produce, how they produce it and market it, and what their overall image is.

This coherence comes from the match between what the organisation does and what drives the passion and enthusiasm in it. For example, Virgin suggests exciting and fun as a brand, but its prime attraction is the link to also making things easy and enjoyable for customers. This is its identity as a group, this blend of characteristics.

So what part do leaders play in the identity of an organisation? In the first place, they are the ones who begin the creation of an identity. They do this through their own passions and beliefs and values, and also through recruiting people who share these drivers with them. But the organisation then takes on a life of its own. This starter identity is developed by all the people who play a part in it. The crucial importance of this is generally unrecognised, yet can explain much of what we observe in organisations as being dysfunctional.

If a new leader in an organisation has a different idea about its identity, you will find that the organization becomes schizophrenic, as the new identity clashes with the old. And the people who have worked there for a while become demotivated or discontent without really knowing why. Similarly, a manager of a particular area may establish an identity for his/her area that doesn’t match with the overall identity, so it stands out like a sore thumb. Sometimes it is simply a matter of the leader confusing what the organisation does with what it stands for and therefore not exploiting the passion in the organisation., then people are just doing a job, and the standard is mediocre. And sometimes the brand and the marketing don’t correspond to the true identity of the organisation and we get mixed messages, and that’s why is important to use the right marketing services for each organization and services from https://www.outdoor-advertising.org.uk/ are perfect for this. No doubt you can thnb9k of many more examples of dysfunction!

So your starting point as leader is to explore what the identity of your organisation is. To help you to do this, you need to explore what value your organisation brings, to people, to society, to the world.

Then you can begin to explore how you can fully align what you do with what you’re about.

Homework

  1. How does your organisation give value? Ask yourself, ask others. Don’t rely on your marketing to tell you.
  2. How would you then define your organisation’s identity? What are you really about?
  3. Does your area really align with this identity, not just in what it does, but also in how it does it?
  4. If there isn’t a clear identity, what do you want it to be?
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SPRING INTO CREATIVITY

This month’s workshop was inspired by the balmy weather this April. Nature has gone wild this month – trees are in blossom, fresh green leaves are emerging from the hedgerows, flowers cover banks and woodland floors, bluebells, anemones, and fritillaries. Spring lambs bounce around in fields, and the air is thick with the songs of courting birds. This truly has been a wonderful month – it feels as if the whole world has come alive!

It is drummed into us that spring is a time for regeneration, to welcome the new year and the new life it will give us. We spring clean our houses, and watch the world around us spring into life. But why don’t we revitalise our creativity too?

There is so much around us to inspire us. Literally the whole natural world is screaming out, “Look at me! Look at me!” there is the miracle of creation happening all around us – right now! All we have to do is to stop our madcap lives and notice.

I went to Dudmaston, a National Trust House near Bridgnorth, and was amazed at the colour and sounds of its stunning grounds. A great crested grebe on the lake crying out for a partner, birds in the woods trying to impress with their vocal dexterity, an ornithological chorus of Wagnerian proportions! Grass on banks appeared to grow beneath your feet, trees sprouting with green tips and evergreen leaves, borders awash with colour, flowers of every hue vying for your attention. The sun played hide and seek behind the clouds, and all this for me, all out there just a short distance away.

The truth is that inspiration is waiting for us everywhere we look at this time of year, so get out there and be inspired!

Allow yourself to ‘Spring into Creativity’ and follow these hot tips to ensure your creativity gets some regeneration and feeding this month:

1. Get out into the natural world –  Go visit the countryside, have at least one trip out this month, have a picnic, visit your local woods (the bluebells will be out!), spend some time in your garden. Wherever you go take a notepad with you and record the impact Spring has upon you and your surroundings.

2. Visit a place of beauty- Dudmaston inspired me, and there are many National Trust places with beautiful grounds, go visit one!

3. Try something new – With the new life we see in Spring, why not try something you’ve never tried before in your artistic endeavours?

4. Get rid of something old – Spring clean your art! If it doesn’t work for you no more, chuck it out and move on!

5. Choose one thing to take forward this year – Decide on one aspect of creativity that you would like to concentrate on/develop in this coming year. Find out what you can about it, and allow yourself the joy of exploring it!

6. Stop and notice for one hour a week – Stop the ride of your everyday life and notice what is around you, at least for one hour a week. Find somewhere quiet and peaceful, and allow yourself to be inspired!

 

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MAKING WORK MORE FUN

I have been reading the latest book by Ricardo Semler, and amongst the many themes it has reminded me of is the one of making work fun.

It is so easy for work to become tedious, the same old round of meetings, discussions, decisions, actions, email clearing etc. This problem is intensified for us as leaders, because not only do we suffer from it, we also have the people who work for us suffering from it as well.

Of course all the tedious things have to be done – well, some of them anyway. But that doesn’t mean that we have to find them tedious. We can choose to scatter rewards for ourselves in amongst the boring tasks – a walk, a quite cup of coffee, a chat with someone, and a job we really want to do.

We can also check out that list of tedious jobs. Are they all really necessary? We often develop a set of routines that are habit rather than necessity, and a check once in a while on the purpose of what we are doing may lead us to remove the task from our list.

Some of the things we do are because we don’t trust people enough. We give them things to do, then check that they know they have to do it, then ask them to report on their progress at regular intervals, and sometimes we still do some of it ourselves because we are not sure that they will do it right.

So how about daring to trust others to get on with things. You may come across the odd failure’ if you do this, but weigh that against the time and effort you could save!

And this brings us to how you can offset the dangers of boredom in your people. One way is to trust them to do something. When we have full responsibility for something, it tends to be more inspiring than when we are given detailed task lists.

Another way is to dare to allow them to manage their boredom themselves. In the same way that you will function better and achieve more if you make work more fun for yourself, your people will make their day work better and produce more, if given permission to do so.

Semler talks about treating people as grown-ups. It requires trusting people to be responsible, and to achieve while giving them the freedom to make their work life work for them as individuals. It might sound risky, but doesn’t it also sound like common sense?

 

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‘THE AWKWARD ONE’

You know what I mean – the one who won’t participate, who doesn’t want to be there..

We all have these sometimes, when we’re working with groups. And it is easy to take them at face value, and hope you can get away with either ignoring or containing them.

But I was reminded again this week of how important it is to go behind that behaviour, and remember the human being. We had someone who really didn’t want to be there – it was irrelevant to her, and a waste of time, she said.

And we listened, and realised that it was driven by a frustration of long standing – she had expressed her ideas for improvement before, but no-one had ever taken them seriously. As it happened, we had senior managers coming to hear this group’s views. She was encouraged to speak out, and once the bit of moaning had gone through without rejection, she began to speak passionately and articulately about her plea for being treated as a sensible, committed grown-up. It was moving and powerful, and we know that, this time, something will happen as a result.

She could so easily have been sidelined. Thank God, we remembered that awkwardness is a symptom not a cause!

Homework

  1. Next time you have an awkward one, just take a little time to listen and find out what’s really going on.
  2. And when you feel like being awkward yourself, in meetings you attend, experiment with tracing it back and explicitly stating what’s really going on with you.

 

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BEING YOUR OWN BEST FRIEND

It’s so easy to be hard on ourselves! We have all been well-trained in being critical, and we are great at turning that ability on ourselves. So we notice what we haven’t done rather than what we have done in a day, or we beat ourselves up for saying the wrong thing instead of remembering how often we say the right thing.

I bet you not only criticise yourself, you also sometimes reject praise or compliments by running yourself down! I know I can say things like, ‘ Oh it’s really someone else’s idea’, or ‘ no, I don’t look good today – your eyesight is obviously not as good as it was!’ This is not just insulting to the complimenter, it is also a less than useful message to yourself.

All this is telling ourselves that we are no good, and that is a lousy message to give anyone! So I want you to consider another possibility. Just for a while, imagine that you are your best friend. I bet the description of you would be different if they gave it! Friends are kinder to us than we are to ourselves, and they set us a good example of how we deserve to be treated. When we are treated kindly, we don’t get arrogant, we get even nicer! It reminds us of us at our best, and helps us to be like that more often.

So why not decide to be your own best friend for the rest of the month?

Homework

  1. Spend a few minutes describing your characteristics as if you were your own best friend.
  2. At the end of each day, find something to praise yourself about
  3. Next time you criticise yourself, remind yourself to be kind to you!
  4. Dare to give yourself a present for being such a lovely person!

 

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VITALITY

The sun is shining this morning as I write this, and if I were a child, I would know that it was a wonderful day.

Yet as an adult, my view of the moment is coloured by all the other things I am told about how the world is working, through the news, magazines etc. so rather than celebrate the glorious day, I can easily get caught up in the difficulties and doom and gloom and forget to just live today.

Who has it right??

It seems that we normally need a life threatening event to wake us up to the beauty of the moment by moment of life, but there is no rule that I know of that says that we have to wait for something traumatic to be able to really appreciate and delight in being alive.

When I was little, I went to Sunday school, and I can still remember being told that I should count my blessings each day. What a lovely concept! And over the years, I have come to understand how useful that can be. We always have a choice: to moan about all the things that are wring, for us personally and in the world in general, or to count our blessings. Which makes me feel better? Which makes me more able to handle whatever comes my way? The answer seems so obvious!

I went to see Bruce Springsteen perform this week. I had a bad back, and could have made it worse by standing in a stadium with thousands of others. But I knew better. I knew that there are few better cures for feeling miserable than to go and be inspired by the sheer joie de vivre of this performer! For three hours, I danced, sung and laughed with delight, as he took us on a journey of celebrating being alive.

As Bruce would say: ‘ How can we get this thing started? Let’s have a party!’ So come on, count your blessings and celebrate being alive!

Homework

  1. Stop for a moment and count your blessings today
  2. Find four things to delight in today
  3. Give yourself a present today
  4. Do this every day for a month, no matter what is going on in your life

 

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THE EXCELLENT CONDUCTOR

I have just been to see Daniel Barenboim conducting the Berlin StadtsKapelle playing two Brahms symphonies. What a wonderful experience!

It is so much more than listening to a great performance of a great piece of music. It led me to wonder if those who speak of a great leader as being like being a great conductor have considered the full depth of the ways in which seeing people like Barenboim can enrich our view of what the leader really is.

Of course, there is the obvious piece about enabling the different parts of the orchestra to play together and between them, with their differences, create something wonderful.

But there is more than that. We watched Barenboim stand back sometimes, because they were working perfectly without him. Then sometimes he would take the energy and raise the level, or blend it in a different dynamic, or bring the parts together to make a whole. He would encourage some to play with more heart, and quiet others to let the glory of one piece stand out. And all this and more was done with the minimum of intervention, using what was already there and building on it.

In order to achieve this, we assume that he works with the orchestra members outside the performance, encouraging them, forging relationships with them, inspiring them with a passion for the music, so that during the performance, there is only the need for tiny reminders.

He also set the tone for how to be in the situation. He came on stage, dignified, and very present and calm. Both audience and orchestra knew from the start that this would be wonderful, because his quiet assurance told us so. He also received the applause with grace, acknowledging every section of the audience for their feedback, and ensuring that they gave recognition to those who had played their part outstandingly, by getting different individuals from every part of the orchestra to stand up and take a bow. He valued everyone, in the audience and the orchestra, yet gave some a special thank you for their contribution.

I sat entranced, and realised how we may blithely state that a great leader is like the conductor of an orchestra, yet most of us do not remind ourselves of what a rich metaphor that really is. As a conductor, Daniel Barenboim is outstanding and recognised. As a role model for a great leader, he is excellent and powerful.

Why not treat yourself and go to a classical concert in the next few months? You can enhance your leadership skills while enjoying an inherently enriching experience.

 

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FREEFORM WRITING

When I was at University, doing my Contemporary Arts BA Degree, we were exposed to many different ways of expressing yourself. We were shown many different ways to access our creativity. One such tool we were given was freeform writing. Freeform writing has many names; Creative Writing, Free Writing, Spontaneous Writing, Speed Writing. Its name has many variations, but it is essentially the same – writing without thinking about it.

The idea is that you just put pen to paper and begin to write, not editing any of what you put down, just allowing to flow and ebb as your thoughts flow and ebb. It is a great way to get stuff out of your head and a great way to brainstorm ideas, by allowing them free expression. To further the brainstorming idea, why not select a topic and Freeform write on that topic?

When you have a creative block, sometimes this can be a useful tool to help vent some of the frustration and work past the block, by accessing not only your conscious but unconscious creativity too. Freeform writing every morning as soon as you wake up can be a good way to access the creative visions of your dreams..

Not only is freeform writing useful for creativity, but I find it incredibly useful for emptying the mind of unwanted thoughts. In fact this is where I use this process most! When you are having difficulty sleeping or you have many negative thoughts in your head that are getting you down, just let rip on a piece of paper, just get all the nasty stuff out! Once you feel that you have emptied your brain of all the ‘stuff’ then throw the paper away, and hopefully you’ll feel a little better and sleep more peacefully!

Homework

Try your hand at freeform writing

  1. Always have a little notepad with you – to capture starting points for freeform writing
  2. Using these starting topics spend two full minutes writing everything you can about the topic – don’t edit anything, if your hand stops writing, stop and try another topic
  3. Keep a notepad by your bed – to capture the weird and wild creativity of your dreams, just 3 minutes as you wake up each day
  4. Spend 10 minutes a week just writing anything down that comes into your head – don’t edit it! Just allow it to flow, it may well look like nonsense but in it could be some gems of creative wisdom!
  5. When you are experiencing a creative block – use freeform writing to write out all the angst and maybe tap into some unconscious creativity!
  6. When you are emotionally low, or your head is just full of ‘stuff’, maybe you have difficulty sleeping – use freeform writing to clear your head, write it all down, then throw it away, don’t re-read it or it will start you off thinking again!

 

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TAKING STOCK…. IN AN INSPIRING WAY!!

This month’s workshop is about taking stock. I don’t know about you, but I am very good at reviewing, targets, goals, objectives and ultimately my work plan. It’s a necessary process and what I have found over the past couple of years is that my tendency can often be to notice what was missing last year, and what do I need to change to make it better.
I often find it to be a bit of challenge, and what gets lost is what I did actually accomplish.
So this workshop is focused on taking stock with inspiration, doing the same process but actually really seeing and owning what I have achieved, so that I can walk away with a real sense of purpose and renewed enthusiasm.
I suggest taking a blank sheet of paper or a notebook to write down any insights or thoughts that occur to you as you complete these exercises. Have fun!!!
1. List out the areas in your work that are the most important to you. (for example, financial success, relationships, contribution, etc.,)
Take this list and prioritise it.
2. Spend a few moments and write down 3 accomplishments in each area, and be specific. An accomplishment is something that you know for you or another person made a difference. It does not need to be a big thing, it just needs to be important to you.
3. Ok now the fun part… tell at least 1 person about them. This is very important, why? because we all deep down love to be recognised and to know that what we do makes a difference. Actually telling another person allows you to really own it.
4. Now review your list and assess what do I want to keep doing, what do I want to take out and what can I replace it with.
5. Complete the process by writing down 1 specific goal and 1 specific accomplishment for each area that you identified in step 1.
Make sure that you share these with at least 1 other person.
Review the list every 6- 8 weeks to check your progress.

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